![]() Violence is baked into the DNA of “Love, Death & Robots.” A lot of it feels shoehorned in, a few extra streams of blood to really hammer home how serious everything can be. It’s also one of the rare installments in this collection to hit the title trifecta in three different meaningful ways, all up until the final reframing parting shot. Even in the compressed timeframe, with so much action to get through, the fact that Franck Balson and the Blur Studios team find quick, efficient ways to differentiate the members of this ad hoc squadron (and tap into a sympathy for the loved ones they leave behind) is no easy feat. Take a rural farm landscape, a ‘90s action thriller spirit, and a portal to another dimension, and when you put them all together, you get one of the collection’s most purely entertaining shorts. “Suits” is assembled like one of the outfitted rigs that its main characters take into battle. It also benefits from just a touch of the metaphysical, bringing in a dash of the unexpected for even inhabitants of this future world filled with planet evacuations and deadly fighter pilot missions. There’s a care and depth in what Samira Wiley brings to her pilot character (not to mention Daisuke Tsuji, too) that elevates “Lucky 13” from being a pure exercise. “Lucky 13” is brimming with so many other exacting technical achievements that you hardly need those spoken explanations to fill in any gaps. Often working from a foundation of short fiction, it’s easy to see why these adaptations would want to preserve some of that in the final product. Voiceover narration is always a tricky prospect in one of these shorts. ![]() (Fair intergalactic warning: spoilers will be found below.) So, as the wait continues for the next round of additions to this growing anthology, here are some of our favorites. Yet, even as we’ve highlighted a few of the standouts, it’s worth exploring a little further why the best shorts in this collection are as effective as they are. The exciting thing about “Love, Death & Robots” is that it has the potential to let its many different creative teams expand their own ideas.Īs we’ve written in our reviews of Season 1 and Season 2, this Netflix show hasn’t always capitalized on that promise. They’ll be better focused or more sprawling, denser in their atmosphere or equipped with enough space for the story it’s telling to breathe. Fortunately, when you have a title like the Netflix animated series “Love, Death & Robots,” that does most of the heavy lifting.īut another major challenge with anthologies is that, inevitably, some parts of the collection will be more successful than others. It’s a steep task to come up with a definable, overarching theme to hold together contributions from different artists, each with their own diverging sensibilities. Anthologies always carry with them a little bit of risk.
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